Architecturewriter

Blick ins Heft: In der aktuellen Stadtbauwelt 13.2024 ist auch mein Beitrag über die Iwan Baan-Ausstellung in der Architekturgalerie München enthalten.  "Der niederländische Architekturfotograf Iwan Baan nimmt uns mit nach Rom und Las Vegas, nach Las Vegas und Rom. Zusammen mit ihm besuchen wir Bauten und Plätze, besichtigen Nichtorte der Infrastruktur, bestaunen ganze Stadtkulissen. Die Architekturgalerie München und ihre Kuratorin, Nicola Borgmann, präsentieren nun dem heimischen Publikum eine Auswahl von Baans Aufnahmen. In ihrer Gegenüberstellung wird ein Spannungsfeld zwischen Profanität und Nobilität spürbar." Das Bauwelt-Heft gibt es noch und die Ausstellung läuft ebenso noch! Ebenso empfehlenswert ist der zur Ausstellung erschienene Bildband (Lars Müller Publishers).

The theme of chapter five of "Bavarity" is "space for envisioning projects" and once more features some of my own photos. The image presented in this post shows how an existing building was envisioned anew, thereby connecting the past, the present and the future. The timber house is located in the city of Landshut in the region of Lower Bavaria and was built in the 15th century. Munich-based architect Markus Stenger carefully revived it in the 21st century by use of sustainable materials. The structure offers an answer to the architectural question on "what if?" by the way the changes it experienced throughout the centuries become partial to its architectural expression. This includes, but is not limited to, a change in context from rural to periurban to urban. Thus, it reflects the theme of chapter five in an exemplary manner. The featured projects ask "what if?" in relation to architecture, urban design, urban planning and landscape architectur...

Chapter four of "Bavarity" focuses on space for housing, illustrated in color photographs, some of which I specifically created for the book. In particular, this refers to the housing association project "wagnisART" in Munich. It was established by the wagnis housing association for its members only a few years ago and was designed by bogevischs buero, SHAG Schindler Hable Architekten, Ingenieurbüro EST, auböck/káráz and bauchplan. I had previously reported on this project and how it was planned and designed for the architectural press. In the summer of 2023 I revisited the housing complex and received friendly permission to use the new images in the book. Why housing associations, one might ask? I was interested in the way they facilitated participation within the planning and design of the project. As it turns out, this occurred similar to a game, with rules established and implemented by the designers and the users together – in a shared space and with the shared...

The photos featured in "Bavarity" include many I captured myself. This post presents an image for chapter three, showing the New City Hall (Neues Rathaus) in Nuremberg, designed by Kurt Schneckendorf. It represents what the chapter on space for building culture is about: the past, present and future of building in Bavaria. The structure occupies a historic site bordering the Main Market Square (Hauptmarkt) in Nuremberg. It was designed in the era of postwar modernism, which continues to architecturally contour the cityscape of the present. As the photo shows, it is used for media installations, which underscores its capacity for transformation and, hence, its future-proof character. In a corresponding manner, the book chapter features essays on the past, present and future of building culture in Bavaria. For this purpose, I employ the motif of the mirror in order to allow readers easy access to the topics and examples described in the chapter. The essay on the past begins one...

The photographs selected for "Bavarity" are featured in color in both the digital and print editions of the book. Chapter two deals with "space as crisis" and includes an image from the recovery and reconstruction process in Deggendorf after the 2013 floods. I took the photo in 2014. "Space as crisis" in intended to provide architects, urban designers, urban planners and landscape architects with an interdisciplinary understanding of crises and disasters. Such an understanding is aimed at providing a knowledge base for the creation of sustainable and resilient means of adaptation to future crises and disasters. One poignant example is the intersection between building and dwelling, where it is necessary to transcend off-the-shelf ideas and products. Correspondingly, the individual, socially and psychologically informed perception of risk plays an important role in terms of how people respond to crises. This is also relevant to a culture of rem...

For "Bavarity" I had the opportunity to select about fifty photographs. They are featured in color in the digital and physical print editions of the book. The image in chapter one displayed here shows the Wieskirche in Bavaria. I took the photo myself in the fall of 2011. The chapter deals with space as text and particularly how we can "read" the built environment. The question is how to approximate this notion in the case of the Free State of Bavaria. The premise for answering this question was to have a closer look at text that illustrates the milieus of Bavarian rural and urban life. This is the case in the work of playwright and actor Franz Xaver Kroetz. His theater plays depict how people deal with conflicts between traditional and modern ways of life. The plays are very specific in terms of the spatial dimension and character of these conflicts. Kroetz calls out the derelict farmhouses and modern urban districts in which his characters experience their individ...

Für das Newsletter der BAU INSIGHTS hat mich Eva Maria Herrmann von der ARGE Kommunikation zum Thema "Change by Design or by Disaster? Klimafolgenangepasstes Bauen" interviewt. Es geht dabei auch um Themen, die ich in Kapitel 2 von Bavarität, "Raum als Krise", diskutiere. Ich plädiere dabei für einen Allgefahrenansatz, der auch zu adaptiven Planungen und Bauweisen beitragen kann. Vielen herzlichen Dank – ich freue mich sehr über das Ergebnis!  Das Interview kann man hier lesen.